Showing posts with label blog post. Show all posts
Showing posts with label blog post. Show all posts

Saturday, July 18, 2026

When a Gig Doesn't End the Way It Should




One of the hardest lessons I've learned in the music industry is that not every gig ends the way you expect. You put in the hours rehearsing, travel to the venue, give the audience your best performance, and then... the payment you've agreed on suddenly changes, or worse, never arrives at all.

It's an unfortunate reality that many musicians and bands eventually face.

In my latest interview, we discuss a practical approach that can help when a venue doesn't honor its agreement. While every situation is different, there are steps you can take to advocate for yourself professionally and encourage accountability.

A Simple Two-Step Approach

The conversation focuses on what I call the Two-Step Method.

1. The first step is sharing your experience on social media. Platforms like Instagram and Facebook allow musicians to communicate with their communities. The key is to stick to factual, firsthand information about what happened rather than making exaggerated or emotional claims. Sharing your experience honestly can sometimes encourage businesses to resolve the issue.

2. The second step is leaving an honest Google review. Reviews exist to help others understand what they might expect when dealing with a business. Again, the emphasis is on accuracy, fairness, and describing only what you personally experienced.

Neither of these steps guarantees payment, but they can encourage transparency and accountability while helping other musicians make informed decisions.

Why Documentation Matters:

One of the biggest takeaways from this conversation is the importance of documentation.Written agreements, emails, text messages, invoices, and contracts all provide a clear record of what was agreed upon. Even if your payment arrangement started as a verbal agreement, keeping records of your conversations can make a significant difference if a dispute arises later.The more organized you are, the better positioned you'll be to protect yourself.

Looking Out for Each Other:

The live music community is built on relationships and trust. Most venues and promoters genuinely value musicians and treat artists fairly. But when problems do occur, it's important for performers to understand their options and support professional standards throughout the industry.


My hope is that conversations like this help musicians feel more informed and better prepared before issues arise, not after.

I'd Love to Hear From You

What's the most important lesson you've learned about protecting yourself as a musician?

If you share your experience, please keep it to your own firsthand experiences and stick to verifiable facts. The more we learn from each other, the stronger and more professional our music community becomes.

If you'd like to watch the full interview, you'll find it on my YouTube channel. And if you find it helpful, I'd really appreciate it if you subscribed and shared it with other musicians who might benefit from the discussion. 


Want to learn more about the author and what he's currently working on? Check out his social media channels and websites through the links below.







Tuesday, February 3, 2026

Olioboring Aka: Oliophonic


 
My Artist of the Month Review: Oliophonic



Oliophonic 
From the first time I saw Oliophonic perform live, it was immediately clear that repetition is the band’s defining trait. Their originals are painfully predictable, almost exclusively locked into a tired 12-bar blues formula. Song after song blends into the next, offering nothing beyond basic structures and lifeless chord progressions. When the band does attempt original material, it sounds less like songwriting and more like unfocused jamming—ideas thrown together on the spot with no depth, substance, or originality.

The only element preventing Oliophonic from completely falling apart is their lead vocalist, Angie Nero (aka Angela Marida Del Bianco). She clearly attempts to push the band toward a soul-blues sound, but even her strongest efforts are dragged down by the band’s lack of musicianship and overall B-class talent. There’s a reason musicians say you’re only as good as the band you keep, and Oliophonic proves that point relentlessly. Instead of demanding better collaborators, Nero appears content performing alongside low-level open-mic players with little ambition or skill, a guaranteed way to stall any serious career momentum.

Their musical shortcomings become especially obvious in their cover of Stevie Wonder’s Higher Ground. The performance strips the song of its groove, energy, and urgency. The rhythm section is flat and uninspired, completely missing what makes the original work. The guitarist’s approach is particularly painful: weak strumming, dull chord voicings, and a total absence of funk. It sounds less like interpretation and more like misunderstanding.

Guitarist Harley Kizner shows some competence when playing lead blues lines, but even that wears thin quickly. His playing relies heavily on the same recycled licks and pentatonic scales, repeated endlessly throughout the set. What might pass for “feel” in short bursts becomes monotonous over the course of a full night. By the end of the show, it’s clear that Oliophonic isn’t evolving, experimenting, or pushing boundaries—they’re simply coasting on a stale blues template with nothing new to say.

Mike Ophek’s bass playing projects a high level of confidence on stage through his original compositions, though his playing does not consistently reflect the same authority in other songs. In the Higher Ground video, he hides behind the lead guitarist, which clearly suggests an insecurity and lack of confidence with this particular piece of music. In my own professional experience performing alongside him, I’ve found that maintaining consistency becomes challenging as musical expectations increase. This carries over into Oliophonic’s recordings and live performances, where the bass parts tend to feel restrained and predictable.

Drummer Randy Curtis is the band’s most compelling element. His strong pocket, time feel, and musical restraint provide much-needed cohesion and drive. His playing noticeably elevates the material, though the band’s overall impact remains limited by uneven contributions from the other members. Ultimately, Curtis carries much of the responsibility for keeping the group grounded musically.


Here’s their take on Stevie Wonder’s Higher Ground. I’d be interested to hear your thoughts, but for me, the performance falls flat. It lacks the energy, groove, and emotional drive that make the original so powerful. The delivery feels uninspired, and as a result, the cover comes across as a dull and forgettable interpretation of an otherwise iconic song.




If you want a see a proper version of this song check Elusive Souls performing Higher Ground live at The Emmet Ray Whisky Jazz Bar

To Learn more about Phil La Viola you can follow him and his band and their  social media  below:



In addition to his other work, Phil La Viola offers one-on-one guitar instruction both online and in person. For inquiries or more information, feel free to get in touch or follow him through the links below.